Station eleven2/19/2023 There are at least two other ways of managing encounters with potential threats that don’t involve violence. Sometimes that way is right sometimes it’s not. But as I mentioned before, Station Eleven explores traditionally feminine virtues in extremis, rather than masculine ones, showing us the incompleteness of the paradigm in which “strange = evil threat = KILL IT!” George and the Dragon, Beowulf, and most MCU movies). Traditional hero tales involve a man perceiving a threat, interpreting it as legit, and then proceeding to destroy it (think of St. The way an encounter between strangers plays out in a lawless environment like this has a lot to do with the problem of threat perception. While it’s doubtful that you can be a hero without a sword tucked away just in case, you can be a hero without the sword fight. It’s a game of roulette, this business of who you end up with. Post-pan individuals seldom have the privilege of self-sorting by preference, or of even assuming that their neighbors are benign. Gone are the days of national institutions and patriotic cohesion, of affinity groups, echo chambers, and consumer choice. Chance encounters between strangers lead to mutual avoidance, attack, or trust. The few folks lucky enough to survive a deadly global pandemic reconstitute society in small groups. Station Eleven takes place in the sparsely populated, parochial world of former Chicago and the perimeter of Lake Michigan. ** Spoiler Alert: This article contains spoilers for Station Eleven ** To The Monsters, We Are the Monsters
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